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Extra resources for Art Nouveau Ornament / Ornement Art Nouveau / Jugendstil Ornamente / Ornamentación Arte Nuevo

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Note how the mixes you’re listening to positions the various elements in terms of relative volume, panning position and overall frequency balance. For mastering, compare the dynamic range, overall volume, and frequency balance of the tracks from several recordings to see how you would like your master to fit into the spectrum of processing choices that you will be making. What you must remember when referencing other work is that there are an enormous number of elements that affect your final mix or master and that therefore each piece of music is unique.

Have a concept before starting your mix or master. 2. Be aware of how your monitor level affects the mixing and mastering process. 3. Rely on one rather than multiple monitoring options. 4. Understand that mixing and mastering are primarily processes of revision. 5. Live with your mix or master. 1 Have a Concept It is never wise to work in a vacuum. You want to have some sense of the direction of your project before you begin. In the case of mixing and mastering, this means some ideas about how you imagine the final sound of your mix or master.

As with automation, recall was severely limited in the analog world in comparison to recall when working in the box. Elaborate systems were developed to recall mixes done on analog consoles and with hardware outboard gear, often requiring a lot of time for resetting, and with less than completely reliable results. If you are working entirely within your DAW, mix recall is a simple as opening the file. This powerful capability has changed the working process for both mixing and mastering. However, there are potential problems in the digital world, too, revolving around storing and recalling information, so it isn’t necessarily the simple matter of double clicking your file icon.

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