By Alphonso Lingis

During this new ebook, the thinker and critic Alphonso Lingis extends a question that has occupied him all through his profession: how are we to appreciate the strangeness of bodies? Weaving jointly philosophy, psychoanalysis, and anthropology, Lingis explores how the physique can be extra richly understood by way of components. relocating from ethics to fetishism, from the capabilities of genitals to the individuality of excellent activities, this can be a exact and thought-provoking ebook.

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Now she begins to feel horror and repugnance before a corpse; its sight gives her a premonition of corruption, of the rotting of flesh that pollutes the bed and the ground with its bile and the air with its stink. It recalls the horror and disgust that she felt before the fetid infection in her body, where she first smelled and saw the decomposing, putrid cadaver into which it was turning. After that she feels a new revulsion in catching sight of the malnourished street kids of São Paulo or the homeless aged of New York.

She is fascinated with growing muscles—all the possible muscles to the max; never mind the uses to which they might then be put. She feels pleasure glowing in her excess of muscle that she sees and fondles. Sociologists might try to explain her fascination with musculature by the addictive force of cultural images—the aesthetic glory that artists since the age of Pericles have spread over titanic bodies or the political power, the leadership, that sculptors have depicted in bronze statues of muscular males.

E. A. Armstrong. 1965. Bird Display and Behaviour. New York: Dover, 341. 8. A. J. Marshall. 1954. Bower-Birds. Oxford: Clarendon Press, 166. 9. Ibid, 27. 10. R. A. Fisher. 1958. The Genetical Theory of Natural Selection. New York: Dover. 11. A. F. Skutch. 1992. Origins of Nature’s Beauty. Austin: University of Texas Press, 58. 12. E. A. Armstrong. 1965. Bird Display and Behaviour. New York: Dover, 14. 13. H. Rosenberg. 1959. The American action painters. In H. Rosenberg, Tradition of the New.

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