By Yannis Haralambous

This reference is an engaging and entire consultant to utilizing fonts and typography on the net and throughout numerous working platforms and alertness software program. Fonts & Encodings indicates you the way to take complete benefit of the very good variety of typographic thoughts on hand, with complex fabric that covers every little thing from designing glyphs to constructing software program that creates and techniques fonts.

The period of ASCII characters on eco-friendly monitors is long past, and leaders similar to Apple, HP, IBM, Microsoft, and Oracle have followed the Unicode around the world personality commonplace. but, many software program functions and sites nonetheless use a bunch of criteria, together with PostScript, TrueType, TeX/Omega, SVG, Fontlab, FontForge, Metafont, Panose, and OpenType. This publication explores every one choice extensive, and gives heritage in the back of the tactics that include today's "digital area for writing":

  • half I introduces Unicode, with a short heritage of codes and encodings together with ASCII. know about the morass of the information that accompanies each one Unicode personality, and the way Unicode bargains with normalization, the bidirectional set of rules, and the dealing with of East Asian characters.
  • half II discusses font administration, together with install, instruments for activation/deactivation, and font offerings for 3 diversified structures: home windows, the Mac OS, and the X Window approach (Unix).
  • half III bargains with the technical use of fonts in particular situations: the TeX typesetting procedure (and its successor, W, which the writer co-developed) and internet pages.
  • half IV describes tools for classifying fonts: Vox, Alessandrini, and Panose-1, that is utilized by home windows and the CSS regular. know about present instruments for growing (or editing) fonts, together with FontLab and FontForge, and familiarize yourself with OpenType homes and AAT fonts.
  • Nowhere else will you discover the precious technical details on fonts and typography that software program builders, internet builders, and image artists want to know to get typography and fonts to paintings safely.

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    Additional resources for Fonts & Encodings: From Unicode to Advanced Typography and Everything in Between

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    Both Windows and the Cascading Style Sheets standard make use of this classification system to select substitute fonts by choosing the available font whose Panose-1 distance from the missing font is the smallest. Despite the fame of the Panose-1 system, a precise description of it is very difficult to find. This book provides one, thanks to the generosity of Benjamin Bauermeister, the creator of Panose1, who was kind enough to supply us with the necessary information. The Structure of the Book and Ways to Use It 21 Chapters 12 to 14 describe the existing tools for creating (or modifying) fonts.

    Appendix E is the logical continuation of Appendix D and the ideal complement to Chapter 13 on optimizing the rendering of fonts. In it, we describe the instructions of the TrueType assembly language. ). And it is due most of all to the poor quality of the documentation supplied by Microsoft, which is enough to discourage even the most motivated programmer. We hope that this appendix will be easier to understand than the document that it cites and that it will be a helpful adjunct to Chapter 13.

    The first important encoding of the twentieth century was CCITT #2, a 58-character shifted 5-bit code, standardized as an international telegraph code in 1931 by CCITT (“Comité Consultatif International Télégraphique et Téléphonique”). Being shifted, it used two “modes”, also called “cases”. The first is the letter case: 00 T 01 cr 02 O 03 sp 04 H 05 N 06 M 07 lf 08 E 10 Z 11 D 12 B 13 S 14 Y 15 L 09 R 0A G 0B F 16 X 17 A 18 W 19 J fs 1A 1B I 0C P 0D C 0E V 0F U 1C Q 1D K 1E ls 1F Here “lf” is the carriage return, “sp” is the blank space, “lf” is the line feed, and “ls” (letter shift) and “fs” (figure shift) are two escape codes.

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