By Maria Chatzichristodoulou, Janis Jefferies
This choice of essays and interviews investigates present practices that extend our realizing and adventure of functionality by using state of the art applied sciences. It brings jointly best practitioners, writers and curators who discover the intersections among theatre, functionality and electronic applied sciences, not easy expectancies and furthering discourse around the disciplines. As applied sciences turn into more and more built-in into theatre and function, Interfaces of functionality revisits key components of functionality perform with the intention to examine emergent paradigms. to do that 5 innovations fundamental to the center of all functionality are foregrounded, specifically environments, our bodies, audiences, politics of perform and impact. The thematic constitution of the amount has been designed to increase present discourse within the box that's usually led through formalist research targeting know-how in step with se. The proposed strategy intends to unpack conceptual components of functionality perform, investigating the strategic use of a various spectrum of applied sciences as a way to creative ends. the point of interest is at the principles, pursuits and issues of the artists who combine applied sciences into their paintings. In so doing, those inquisitive practitioners study new dramaturgies and methodologies to be able to create leading edge reviews for, and encounters with, their audiences.
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Extra resources for Interfaces of Performance (Digital Research in the Arts and Humanities)
21 Maturana and Varela, The Tree of Knowledge, p. 75. 22 ‘Autonomous systems need to be seen as sources of their own activity, specifying their own domains of interaction, not as transducers or functions for converting input instructions into output products. In other words, the autonomous character of these systems needs to be recognized’. See Evan Thompson, Mind in Life (Cambridge, MA, 2007), p. 46. , The Embodied Mind, p. 198. , p. 139. Environments, Interactions and Beings 35 The basis for understanding the performativity inherent in Varela’s autonomous systems lies in how such a system brings forth a world through perceptually guided action.
Ambiguity is one thing – and it seems totally appropriate to a subject such as cloning. Confusion, however, is perhaps a more problematic if productive affect to manage in the newly recombined writer/reader, speaker/audience relationship. 13 Put bluntly, liberal-humanist, judgemental, moralizing and conservative. 16 Interfaces of Performance Three different characters, Lou, Hannah and Hal, talk about the life-changing experience of being involved in these experiments. Lou, an elderly and embittered microbiologist, whose previous claims to have discovered evidence of life on Mars have been repeatedly rejected by NASA, declares finally to have evidence of a Martian microbe with characteristics similar to that of green sulphur bacteria.
The six images presented here show the digital flow and exchange of data in different media: house walls, furniture, human bodies. They capture the digital condition: the emergence of a pattern of 0s and 1s. The project has had numerous inspirations, both textual and visual. H. Fox Talbot’s ‘photogenic drawings’ of lace and of light falling through the window panels in Lacock Abbey – a set of images Talbot allegedly sent to his friend Charles Babbage, the inventor of the differential engine (the first computer).